翻訳と辞書 Words near each other ・ Beryl E. Escott ・ Beryl Esembe ・ Beryl Evans ・ Beryl F. Carroll ・ Beryl Fletcher ・ Beryl Fox ・ Beryl Gaffney ・ Beryl Gilroy ・ Beryl Goldwyn ・ Beryl Grey ・ Beryl Grimble ・ Beryl Ingham ・ Beryl Irving ・ Beryl J. Levine ・ Beryl Junction, Utah ・ Beryl Korot ・ Beryl Levinger ・ Beryl Markham ・ Beryl Marsden ・ Beryl Marshall ・ Beryl McBurnie ・ Beryl Measor ・ Beryl Mercer ・ Beryl Nesbitt ・ Beryl Newman ・ Beryl Oliver ・ Beryl Paston Brown ・ Beryl Penrose ・ Beryl Platt, Baroness Platt of Writtle ・ Beryl Prairie Dictionary Lists mini英和辞書 mini和英辞書 Webster 1913 Latin-English FOLDOC Wikipedia English ウィキペディア

翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Beryl Korot ： ウィキペディア英語版 Beryl Korot Beryl Korot (born September 17, 1945) is an American video artist. ==Biography== Beryl Korot has pioneered the field of video art since the early 1970s. She was co-editor of ''Radical Software'' (1970), the first publication to discuss the possibilities of the new video medium, and Video Art (1976) with Ira Schneider. Her first multiple channel works (Dachau 1974 and Text and Commentary) were seen at such diverse venues as The Kitchen (1975), Leo Castelli Gallery (1977), Dokumenta 6 (1977), and the Whitney Museum (1980 and 2002), Aldrich Contemporary Art Museum (2010) among others and explored the structural relationship between programming on the ancient technology of the loom and computer programming. Dachau 1974 is in the Kramlich Collection. Her painted text-based handwoven canvases in an original language were exhibited in 1986 at the John Weber Gallery and in 1990 at the Carnegie Museum (Points of Departure). Two video/music collaborations with Steve Reich (''The Cave'', 1993, and ''Three Tales'', 2002) brought video installation art into a theatrical context. Both works continue to be performed and have been installed, apart from live performances, at such venues as the Whitney Museum, the Carnegie Museum, the Reina Sofia, the Düsseldorf Kunsthalle, and ZKM. Since 2003 she has been creating a new body of video and print work which was seen at Aldrich Contemporary Art Museum for the first time, Beryl Korot: Text/Weave/Line, Video 1977-2010, and subsequently at Dartmouth College Fall 2011 and bitforms gallery, Spring 2012, among others. She is a Guggenheim Fellow and has received numerous grants for her work from the NEA, NYSCA, and most recently from Anonymous Was a Woman (2008).〔http://www.anonymouswasawoman.org/past-award-winners.html〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Beryl Korot」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.